Transferred Epithet Definition and Examples

Transferred Epithet Definition and Examples A transferred epithet is a little known- but often used- figure of speech where a modifier (usually an adjective) qualifies a noun other than the person or thing it is actually describing. In other words, the modifier or epithet is  transferred  from the noun it is meant to describe to another noun in the sentence.   Transferred Epithet Examples An example  of a transferred epithet is: I had a wonderful day. The day is not in itself wonderful. The  speaker  had a wonderful day. The epithet wonderful actually describes the kind of day the speaker experienced. Some other examples of transferred epithets are cruel bars, sleepless night, and suicidal sky.   The bars, presumably installed in a prison, are not cruel; they are inanimate objects. The person who installed the bars is cruel; the bars serve to foster this persons cruel intentions. Likewise, a night cant be sleepless. It is a person who is experiencing a night where she cannot sleep. And, a sky cant be suicidal, but a dark sky might make a depressed person feel suicidal. Transferred Epithets vs. Personification Dont confuse transferred epithets with personification,  a figure of speech  in which an inanimate object or abstraction is given human qualities or abilities.  One of literatures best examples of personification is 19th-century poet  Carl Sanbergs description of fog: The fog comes / on little cat feet.†Ã‚   Fog doesnt have feet. Its an inanimate object. Fog also cant come or walk. So, this quote gives fog qualities it cannot have- little feet and the ability to walk. The use of personification helps to paint a mental picture in the readers mind of the fog slowly creeping in. By contrast, you could say:   Sara has an  unhappy marriage. A marriage, itself, cannot be unhappy. Marriage is inanimate; its just an idea. But Sara (and presumably her husband)  could  have an unhappy marriage. This quote, then, is a transferred epithet: It transfers the modifier, unhappy, to the word marriage. Meditative Foot Because transferred epithets provide a vehicle for  metaphoric language, writers have often employed them to infuse their works with vivid imagery. These examples show writers and poets effectively using transferred epithets in their works: â€Å"As I sat in the bathtub, soaping a meditative foot and singing...it would be deceiving my public to say that I was feeling boomps-a-daisy. - P.G. Wodehouse, Jeeves and the Feudal Spirit, 1954 Wodehouse, whose work also includes many other effective uses of  grammar  and  sentence structure, transfers his meditative feeling to the foot he is soaping. Wodehouse even makes clear that he is really describing his own feelings of melancholy by noting that he could not say he was feeling boomps-a-daisy (wonderful or happy). Indeed,  he  was feeling meditative, not his foot. In this sentence, the silence  cannot be discreet; its an inanimate idea. Its clear that the author and his companions were being discreet by staying silent. Were coming close to those little creeks now, and we keep a discreet silence. - Henry Hollenbaugh, Rio San Pedro. Expressing Feelings British essayist, poet,  and  playwright T.S. Eliot  uses a transferred epithet to make his feelings clear in a letter to a fellow British poet and novelist: You dont really criticize any author to whom you have never surrendered yourself....Even just the  bewildering minute  counts. - T. S. Eliot, letter to Stephen Spender, 1935 Eliot is expressing his frustration, probably to criticism of him or some of his works. It is not the minute that is bewildering; it is Eliot who feels that the criticism is bewildering and likely unwarranted. By calling the minute bewildering, Eliot was trying to elicit empathy from Spender, who would have understood his feelings and frustration. So, the next time you want to express your feelings in an essay, letter, or story, try using a transferred epithet: You can cast your feelings onto an inanimate object yet still make your emotions perfectly clear to your reader.